following a stellar contribution to radio slaves clone wars remix package, markus suckut makes his full rekids debut with the heat on feet ep. the three tracks on offer capture suckut s ability to marry intensity with groove, with the toughness of his iron-forged techno breakbeats and ambient textures.

an inconceivable selection of productions fused together into a unique and eclectic release, re-structured reiterates the undeniable fact that john digweed and bedrock records are musical visionaries, responsible for shaping and inspiring the paths of so many artists to date. whether it be focusing on the future, or propelled by the past, john digweed continues to be one of electronic music s most esteemed djs, producers, and label bosses. this the first of three vinyl samplers features tracks & remixes by bedrock, alberto ruiz & guy j.

re-structured is yet another exceptional milestone in the history of bedrock records. this the second of three vinyl samplers features tracks & remixes by bedrock, joeski, montel & electric rescue.

the follow up to skyzoo’s acclaimed debut lp “the salvation”, 2012’s “a dream deferred” is finally available on vinyl. the fan favorited project includes guest spots from jill scott, freeway, talib kweli, raheem devaughn and more, and boasts production by !llmind, jahlil beats, 9th wonder, black milk dj khalil and a host of others. after three years it’s now available on limited edition translucent dark blue colored & smokey marbled wax for your collection.

after the very polish and the very soviet cut-outs, zambon continues his endless trip around eastern europe with another excursion. now it s time to follow him and dive deep into dance music of former yugoslavia. the very first volume of the brand new the very yugo cut-outs exposes a little known scene of editors based around the cult club 20/44 in belgrade, serbia. a duo of djs and producers called kompleks is responsible for three edits here, while the label boss zambon supplies the last one. tracks range from poppy new wave of jakarta group from serbia, through psychedelic rock of seid memic aka vajta from bosnia, yugo boogie of kim band from serbia/macedonia and sleazy synthpop of videosex group from slovenia. the unique vibe and amazing skills of yugoslavian musicians from the rich and unfortunately still little known scene are guaranteed to move both you and your local dancefloor. hvala!

jaffa surfa delivers a huge bomb for dance floors on all inn again. this time his three original tracks bring mid tempo house materials crossed with massive breaks, trippy atmospheres, shaped perfectly to the ideology of all inn releases. fuuls reshaped to an unmissable tool mix by bassa clan.

three stellar tracks between house, acid an downbeat pepe braun, swilen oschatz,bayou soundsystem

the * dance session band project* started for the session with the dance duo symbol-ism who represents yoyogi, tokyo known as the base of yygrec. the band is composed by three members. daisuke fujiwara (sax), well versed in detroit techno, got attention when he was playing in his original band “phat”, which sublimated the improvisation style of techno and jazz in 90’s. after that he has played with jeff mills and also with underground resistance. masatsugu hattori (drums) who has been playing across the genre, has appeared on the fighting-style music event boycott rhythm machine versus live. he has also played and gone on a duo tour with mc sibitt from a hiphop crew origami. keigo iwanami (bass) is playing in a club jazz band sleepwalker, a punk band midori, oncenth trio, zycos and more. he keeps playing in various fields of music like jazz, pop, punk, improvisation music etc. in this project, they creates “physical” dance session music inspired by symbol-ism, and reflects their each musical backgrounds of jazz, techno, house, hiphop, punk, improvisation and so on.

parallelism is jeremys third ep on future classic. the three track ep is set to hold down the same amount of anticipation and support as the pervious offerings. the release also has us publicity team engaged. the ep sees jeremys affinity for synthesizers, unusual sound combinations and sample manipulation mature from his previous releases. the lead single, moonraker is ever-progressing track with subtle groove and intricate percussion. give it up demonstrates malvins ability to heighten intensity and produce mind-bending music through layering ever-evolving synths and luscious percussion atop of a solid bass groove. finally, ride the white lightning takes listeners on an epic nine-minute sonic journey that effortlessly glides through builds and breakdowns, whilst intricately forming a club weapon.

and just like that, sounds of the city bring out a new walt j ep! the label is fast becoming recognised for its ability to force mythical house producers from chicago back into the studios after decades of hiatus, and we still don t know how they manage it! after brian harden s recent stormer, this three-tracker by the great walt j is just what we need to sooth our evenings a strong beat winds into starry melodies and forward-thinking percussion on test your limits, while simplicity (the atkins tribute) calls all stations to detroit and lays down some utter truth it s exactly the sort of house music we want to hear bald, fiery, and deep as hell. bypolar, on the other hand, is classic walt just doing his thing dope samples, heavy chords, and dusty drum swings. the quintessential house shit.

american label beyond the speaker made an impression with their first release angels against dust two years ago, a tasty 12inch split between legowelt & willie burns. for the latest outing, canadian mastermind michael silver aka cfcf (rvng, ghostly, 1080p) celebrates the soul and grooves of house, electro, and techno. three tracks that balance dancefloor hustle, intricate detail and flourishing melodies. lead track head up is a poignant call to the dancefloor, a peak hour house cut with an emergent vocal sample that rallies all for a blissful groove excursion. the b-side is a moodier affair, with mossy wall submerging the listener with potent rhythms as ominous bass intersects with a waking metropolis of melody. and the classic techno sound of sea of love deftly lulls us with gentle vocals and a looping guitar phrase.

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. after his excellent remix of baikals why dont ya, maeve is delighted to welcome back our friend ripperton with his own this, what remains release. two beautifully deep tracks that hit their hypnotic momentum when you let them run their full course. epic burners for special moments.

uk-based techno producers deepbass & nax_acid team up for a special 12- collaboration on the planet rhythm ltd imprint. their three-tracker *illustrated machinery ep* showcases the deeper techno sound in its widest range.
pressing on blue marbled vinyl.

ltd repress !! vinyl only - outplays second outing on vinyl is here! this release features three tracks by outplay s daniel leseman on a well deserved solo ep. the tracks have the warm and gritty feel we re so crazy about. together with daniel s signature bright brassy synths and his use of the right samples, it makes this ep a package with a fantastic funk and groove!

ltd nice price blow out ... cool data promo release! three remixes with a great variety.... from electrohouse to deep funky vocal house (richard earnshaw)

after a 3 year hiatus making techno for various labels, orlando b returns to his deep house sound which gained him recognition with ep’s on yore, undertones and seven music. this time he brings us three contrasting house cuts on his new label contemplate recordings which will now be the primary output for his deeper productions.

ive been involved in two or three major genres that are very different from each other, says vaughn robert squire from canada, better known as prison garde, who is making his true romance debut with our trep009. about his melody ep, he says: its gospel-influenced house stuff. its in line with the last couple records that i put out, but i feel like its a little more mature and that the quality of the recording is a lot higher than anything else ive done as prison garde. i recorded it at the phi centre in montreal - its a beautiful cultural center in the old port. ango and i locked ourselves in there and did a live record on an ssl in a big room.

last spotted together on the cut some three years ago with their eponymous debut lp, the crew like kaidi tatham, akwasi mensah, matt lord, and dego ‘ranks’ mcfarlane reunite for this fresh 2000black 12&#8243,,,,,. off the christmas card list is apparently a precursor to a second album from the quartet and it’s the last 12&#8243,,,,, in a fine year for 2000black that saw the killer dego lp as the centrepiece. the a-side is dedicated to the title cut, an endlessly slinky boogie number that really showcases the collective musicality of this crew, whilst the b-side is split between “hurry whilst they are away” and “fila high”. the former is bugged out beat down west london-style, and the latter a killer latin-flecked cut.

who is dj fett birger?? it’s dj fett burger, stupid. geography records straight outta malmö, sverige has awoken. please make room in your record collection for more stupid stuff from sweden’s third biggest city, home of great falafel and bad clubs. our fat friend from moss, norge takes some parts from shakarchi & stranéus eternal 2013 hit single ”either way” (geo 005) and turns it into a dreamy cheese-pop track ready for full, half-full and really empty dance floors. on the flip side the burg’ teams up with underground finnish talent stiletti ana for a literal take on the snl quote ”more cowbell”. please play it loud. for the third side of this single record release, burga’ fett flangs it out with a us style bonus beats, strictly for the djs! with this, you can play our record with an even nicer record on top! also perfect for shout outs, birthday wishes during sets or when you’re just really tired of melody and bass. all in all, a solid three track release to make it up to you that we forgot to release a record in like 1.5 years. sorry about that. geo 008 is already done, so don’t worry it wont be long until the next one! regards, adam & oscar

aus follow up some landmark records from the likes of bicep, shenoda, youandewan and new addition fold with the return of a label-favourite - the esteemed man of the moment marquis hawkes who offers up his first full length ep on aus in the form of chances. in the wake of his recent outing on houndstooth as well record on dixon avenue basement jams and clone jack for daze, the london born berlin based producer does what he does best for his aus debut and lines up three rapturous jams packed with disco loops and tough analogue drum work all suffused a signature degree of grit.

second release on lan comes from willis himself. delivering three cuts of peaktime ordnance, the bordeaux native shows just why he was picked up by nous disques for a split ep alongside berceuse heroique. immersive opener ›expecting myself‹ juxtaposes waif-like electronics against the lo-fi percussive elements. gradually unfurling as the track progresses, the undulating synth swells coax the listener in while the punchy framework bumps along underneath.

a sort of cabaret voltaire for the iphone age, drooids are a collective of three multimedia artists who produce electronic music using improvisational, often anarchic methods. utilizing a hodgepodge of gear both old and new, and not-wholly-quantized, they create a collage of sounds that verges on chaos before slipping back into a dark yet weirdly club-oriented beat. their live shows usually feature multiple guest collaborators, costumes, sculptural props and performative antics. for their debut release on lse we tried to capture the spirit of these shows and recorded over 11 hours of drooids improvising in the studio of the course of one week. those 11 sprawling hours then got edited down to these 4 snapshots, mastered and pressed in a limited edition of 200 (40 with original gelatin silver prints) for our 6th vinyl release.

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material.

due to it s 10th anniversary, kittball records presents a limited white vinyl seriesthroughout the year 2015, as a special edition in four parts reflecting its most successful tracks within the past quarters. having the inside tips from may and june on the spotlight, the second edition includes three further originals by juliet sikora and paji on the a-side, with one of the newer tracks by in.deed and amazing kant remix for notize feat. fura on the b-side.

melbourne’s got it (goin’ on)! returning back to the city we hauled in yet another producer. m5k fixes us up with three edgy house tracks together with smooth, synthesized melodies and a wicked kick.

while their debut on mysterious downtown romeo records was dominated by lovesickness packed in soulful garage dubs, this time pt/b reflect on lapse and transience - boiled down to three dark and plain rave anthems.

att series is proud to present the new exclusive vinyl only series with a new brand design. in this new era we are happy to start along three of the most important and respected artists from the techno scene as giorgio gigli & brendon moeller showing us the original mixes and takaaki itoh the remix. first collab from these talented artists show that they make goods on their own but they can build betters working together. takaaki itoh is not less than them bringing us a great remix for this stomper release. pretty music full of senses and personality is what we nd in this 12 inch and as we said before, this is the beginning of a new att series era.

2015 repress , kyle hall is in the full spotlight this spring with releases on hyperdub, 3rd ear, remixes on clone and warp. and also moods and grooves has an exciting release from kyle too with some fresh early works! three phat grooving track track each with its own exquisite quality and soulfulness.

krl returns to wolf music after a production hiatus. the ep contains four krl dancefloor cuts and three skits that tap into his hip hop roots.

going further into techno territory, orphan swords come back with a three tracks ep called -license to desire- on paris-based desire records. following the -risk in the new age- ep (2014), this new hypnotic release is probably their most powerful so far, concentrating ebm, minimal techno gristle and industrial electronics. this ep clearly relates to previous efforts such as -caim- that has been described by xlr8r as -the grinding sounds and whirling blasts of white noise position the track directly in the realm of acts like sandwell district and richie hawtin s digressive and hypnotizing plastikman moniker.- make sure to check out the massive epic of asmoday and the textural sophistication of hooker .

bleed enter their stride, with a third release of the year, following on from volte-face’s ‘charlatan’ ep, and the daniel avery/volte-face collaboration as rote, ‘ep1&#8242,,,,. ‘all grown up’, volte-face’s second ep, ‘all grown up’, comes out shortly before his debut on semantica, with a track featuring on their next nonnative compilation. the ep is primed for club play, with three densely detailed peak-time techno originals, as well as a short ambient interlude and a killer dj spider remix. the record has received early plays from friends of the label, including daniel avery, dj nobu, tripeo, etapp kyle, blind observatory, francois x and ryan james ford.

chris carrier’s brings us the latest installment from his ever-trusty adult only label, with a firecracker from julian alexander, a rudeboy from holland, utrecht to be precise. julian’s close ties with slapfunk records, the label that released carrier’s most recent artist album, make him the perfect candidate to captain this new release, which is full of murky grooves and simmering energy. across three tracks julian brings encapsulates that adult only flavour, kicking off with ‘butress roots’ a bass-heavy roller with an eerie overtone and a minimal make-up – watch out for the extended breakdown, it will send shivers down your spine. up after that we have ‘xy’ a more up-tempo, bouncing, dance floor destroyer. major vibes on this one. on the flip ‘point of view’ brings the energy down again, with a steady flow, and a slow-building pads together with an indecipherable female vocal clip that adds to the captivating atmosphere. carrier steps in to remix ‘point of view, closing out the ep with a punchy demonstration of his production prowess. raw.

cavalier deliver their first 12 inch. koloman trax steps up with three dreamy, deep and distorted house excursions. channeling thumping machine beats, winding pads and tape saturated grooves, all combining to make one introspective, infectious debut.

label newcomer flogo joins ahrpe project and goes out with three new massive acidish

linear movement deliver their debut release from audub. here are three blissfully deep house excursions, bordering on ambient and dub. get ready to dance and sleep at the same time. note : cover on the border slightly broken

blorp comes out with its first vinyl release! this various artists ep features three tracks by previously untapped talents including one from label owner gnork. the aim is to capture the mystical awe of space, with its infinite beauty and unsettling weirdness. an eclectic collection of tracks, spanning club centric house, space age electro and rustling ambient.

"asymmetrical code is the evolution of what is known as techno today. the code or song takes you on a journey to the future of the past where you can find an alternate -you- through contemporary realities and soundwaves. starting in 2013 as an underground label with no public releases, the main goal of fragmento & tracy (owners) was to find and collect the perfect sound, ambients and grooves to carry you to the meaning of asymmetrical musical code. on this journey is the listener also accompanied by visual stimulants created by the label to influence or facilitate the mind to wander and build a new creativity within you. for the launch of asymmetrical code, three underlying themes were created; acr-001 by fragmento & tracy, acr-002 by bat, and acr-003 by fragmento. these are the first steps to your journey."

three tasty pieces of oriental disco edits by hysteric.

jesse calosso is a bronx-born dj and producer, part of a tight clique of new york artists that includes such luminaries as the martinez brothers and filsonik. 2015 has been a busy year for him. not only has he completed a mix-tape style album as masters at dutch with the martinez brothers and blas cordero, but also his tracks serving size and whatever right now appeared on the tuskegee ep the come up vol 1. he has dj-d at output in brooklyn, circoloco in ibiza and at seth troxlers acid future party in london to name but three. now, he releases a brand new four-track ep called the incoming on cutting headz.

northside ‘82 is proud to welcome smart bar resident savile to the label for our second release. entitled suffer play, this three track ep imagines an alternate reality where minimal house takes an extended detour through chicago, strapping on the city’s famous jacking percussion for a more robust but equally razor sharp sound. “spaced” opens the record with a jolt of jacking house, pairing a limber bass line with tense percussion and pinpoint vocal samples. “1pm morning” is inviting and warm, a richly crafted environment lit by by resonating bass, wallpapered with sharpened guitar strums, and decorated with jangling percussion and clavinet accents. closer, “recipes from nowhere”, is the dreamiest of them all, letting melodies bubble around the track’s bass line backbone and swaddling listeners in melancholic pads. altogether an exceptional record from one of the city’s brightest young.

following up the fantastic summer re-release of upsetting keys “empathy” ep, path records follows with its first new catalogue number since 2006. path 008 marks the return of artist fate 258, whose 1999 “why 2k” path 001 ep has been a hotly sought after item on discogs. the three-track ep contains two exciting new mixes of cult classic techno track “the path”. the a-side version “path to hell” is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. “path to heaven” slows the groove down and adds warm juno pads throughout the mix for a very deep detroit flavored techno style. on the final track “heaven or hell” sort of a broken beat downtempo piece, sparse vocals and bladerunner samples mix to complete the dystopian concept. these mixes of “the path” are considered pre-mixes, as they were completed in 1998 before the original release of path 001. fate 258 is a project from brooklyn producer reade truth, known for his work over the last decades on labels such as planet e, sonic groove, n-syde, wurst and strictly rhythm to name a few. limited to 250 worldwide, with the first 100 including full black and white cover art.

special triple pack for all you highway lovers out there - contains three classic releases (hwr006, hwr010, hwr017).

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

having made his family life a priority for the last three years, picotto was nonetheless busy in the studio, adding to his beyond-extensive catalogue of releases and preparing us for a new salvo of pumping techno, jacking tech-house and quintessential club material. from heart to techno, picottos ninth studio album features a number of collaborations with regular partners in crime riccardo ferri and devid, who both throw in extra measures of italian flair to the mix

the chicago based perpetual rhythms label welcomes trinidadian deep to the family for their 6th release, native bush ep. trini is known for his deep, spiritual, and tribal sounds on labels such as ron trents future vision records and neroli.the same holds here for his ep three deep house tracks exuding love through percussive and atmospheric vectors.

talman records is the new brainchild from french producer and dj samuel thalmann aka okain. the label aims to focus exclusively on the music from the label boss, digging deeper into his musical roots to create a modern sound. after spending the last eight years releasing on some of the most sought after labels like bpitch control, tsuba and truesoul to name a few, it s time for the parisian artist to setup his own imprint and to continue to showcase his personal interpretation of house music. here is the first release containing three new tracks.

fresh from his contribution to the butter sessions sounds from the suburbs v.a., bayside lab-rat dan white delivers three disparate tracks of alien electronics. on the hammer (think mix) white takes a heavy inhale before descending deep sea with a near 11 minute junglist house epic! just a beat sells itself short with its club ready distortion while the blissed out meditation sacoid cleanses the peaking dawn raiders. some of the finest work from this melbourne prodigy, with artwork by lloyd collins.

nice price deal !!! dezentes geklopfe, verhuschte- und verhallte gitarren, rauschen, geglocke und sublime drones erzeugen entrückte atmosphären.

new years deal - 3024 welcomes a bright young lad from denmark to the label by the name of erosion flow. these three vibrant little nuggets of funk are the introduction to his ambitious spectrums series. artwork by erosie (no relation)